Showing posts with label gentrification. Show all posts
Showing posts with label gentrification. Show all posts

Wednesday, August 20, 2025

Blast Radius

Ground zero
The moon tower marks the spot
Not too far from the state cemetery
At the intersection where cable cars used to stop
A block away from the offices of the N.A.A.C.P.
The mural is being restored as a kind of testimony

The blast radius
Gentrification spreads outwards
Progress, as viewed from one perspective
For many parts, indeed, had fallen into disrepair
But what is the fabric of communities?
And how much hollowing can a place bear
Before it loses its identity?

Change is turbulence
For the reverse is also true
Things - and places, are to be used
The inexorable logic of our economy
The foundation of land use theories
Displacement, a shedding of skin
The debates are about the nature of this new molting
Prosperity's impact on demography


Aziel Garcia restoring East Austin mural


Soundtrack for this note


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Writing log: September 22, 2022

Tuesday, November 12, 2024

The Corner of 12th and Chicon

Transitional you may call it these days, the corner of 12th and Chicon
A far cry from its salad days as an out-and-out combat zone
When hardened hookers used to walk the streets barely causing a shrug
And the weary cops turned a blind eye to the open air markets of drugs

Change has been long coming but it creeps up on you all of a sudden
Places betray only faint traces of their previous reputation
Located just a mile from downtown, no wonder there's been gentrification
The inescapable reality of commerce and real estate transactions

Suffice to say in this case, that there has been a whitening
A rebrand now that the corner is no longer so frightening
And as a fitting testament to the changing face of East Austin
On the mural, they painted the face of Bad-era Michael Jackson

Still, the other heroes are there, defiant:
   Bob Marley, Nina Simone and Prince
Thurgood Marshall, James Brown, Sade,
   Sly Stone (or is it Jimi Hendrix?)
The conscience of a certain tribe: Dick Gregory, Muhammad Ali
And, keeping it real, conflicted martyrs like Tupac and Biggie

Throughout, the nearby Eastside Community Church aimed to provide shelter
Modified latterly to host, on its premises, a Pregnancy Resource Center
You never know in Texas, this was ground zero for maternal mortality
Where Barbara Jordan fought for civil rights, they try to preserve her legacy

The last holdouts remain but now no longer hold sway
Just a few transients holding on to faded glory days
Rough trade, ambling in the early morning to the liquor store
Passing, as they do, the fresh-faced women out walking their dogs

Lululemon leggings, some carrying their yoga mats, nubile young things
Or the others now heading to work out on the shiny exercise machines
Complicated tributes to physical perfection, elliptical witnesses
On their treadmills to modernity, edifices of health and fitness

The parking lots where the Guinean immigrants would sell African clothes
Trinkets, carvings, dashikis, herbal oils, and the like are now mostly closed
Once their steady remedial work was done, the developers moved in
It's a safe neighborhood now, and on a few plots they've started construction

A couple of desultory food trucks, beasts of burden, now stand alone
On the way to middle school with the 11 year old past 12th and Chicon
No crossing guard here, those who walk these streets are on their own
Eyes wide open, we take it all in. Then a quick hug before I turn and walk home


12th and Chicon


The Corner, a playlist


A soundtrack for this note (spotify version)
Bonus beats: Street Corner Hustler Blues by Lou Rawls

See previously Inman Square Still Life and Coyote Point

This note is part of a series: In a covidious time

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Writing log: August 31, 2022

Tuesday, July 23, 2024

The Last Holdouts

The last holdouts, it's come to this
The Walker brothers would be leaving this place
Yes, they'd delayed the purchase for months and strung things out
But now time was up, they had to move out of the house

At least the two of them had made a stand
Scrap dealers, their hustle was hard
The mountain of bikes scavenged for parts
Machinery under the tarp

Old man Jackson would be the very last holdout
His house on the other side of the tracks
Specialist in all styles, you had to respect him
The end of an era, and now it's come to this

...

Down by the train tracks, the very last patch
On the east side, past the highway
Bad soil, badlands
Bordered by the railway and the creek
Cul-de-sac
Halfway houses
Depression era bungalows
Functional and plain homes for our kind of folk
Featuring Terry's stealth restaurant in one of the backyards
One of his jook joint ideas that didn't go nowhere
Left with barbecues, conversation and soul food
Frankie Beverly and Maze blaring,
Cheap malt, it was all good
And now the blues grinder is over, it's come to this

...

Bars, heavy iron burglar bars over the windows
During the crack years it wasn't far from a combat zone
Drugs, man, I tell you, a hell of a thing
Charnel houses, dens of iniquity, they saw it all
And if it wasn't dope, well all vices could be bought
Mind you, there were fifteen churches within the six blocks
Sin and redemption were the nosy neighbors
It was hard to tell which you would end up crashing with
The churches too are moving out, it's come to this

...

Now that the trail has been done up, it's come to this
The developers have their eye on things
It's the American way, we understand cold cash
Someone expert with the building code, real estate
A couple of miles from downtown, it's a no-brainer
Multiple units or townhouses with the right contractor
An offer you can't refuse, a fateful decision
Suburbia here we come, some call it gentrification


graveyard of champions, urban decay


The Last Holdouts, a playlist


A soundtrack for this note (spotify version)
See previously: The Old Man who Lives in the Park

This note is part of a series: In a covidious time

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Writing log: April 11, 2022