Running Away
The lyrics in the songs always mentioned running away. Flight, escape, danger in its many variations. Embedded in the outlook, punctuating the very choruses was a sense of precarity. And yet these were not dirges, these were not laments. They'd long made their peace with the world as they'd found it, nay, they were comfortable even if clear-eyed about this existence.
And they watched.
Running away, heading for the hills and the rocky terrain. Running away, heading for higher ground, for those parts that only those close to these lands would know. The caverns where they could hide, holding their breath, stifling all sounds, covering the mouths of the infants.
And they waited.
Holes in the ground, the entrances disguised, dark caverns where the ancestors were said to have sought shelter from previous predators. At most a dozen could fit in the largest ones so you had to be prepared to seek out other spots, ever calculating as you ran up over the rocks how many had already made it, and if you would be able to use this particular refuge.
Oftentimes it was a gamble.
To enter the hiding places, you crouched, crawled and wriggled. The earth would envelop you, surround you with its embrace. You could expect to taste the slightly acidic crumbs as you pushed your way in, to smell the faint trace of clay. The earth would resist the touch, implacable and stern, until it would yield all of a sudden, plunging you forward into the void of the cavern.
You hoped, you wished for a soft landing.
You had to be methodical even in the heat of the moment, deliberate even as the senses were heightened by the danger. First, to dislodge the covering by pulling at the right spot, the intricate branch structure that only careful hands could pry open, and then to preserve its camouflage so that it would appear undisturbed to the raiders in pursuit. The architecture of escape, the provisional sanctuary.
And they prayed.
No matter how many times they had practiced, no matter how many warnings, no matter how many songs they had sung, no matter how much advance notice they'd garnered, they knew that there would be something lost, that there would be someone lost. It was the nature of life in those times. Something, someone would be snatched from you. Pieces of yourself dispersed, shredded away, leaving only the memories.
And they wept.
Farmers and pastoralists, they never had a standing army. Millet and maize in small fields, custodians of the northern territories, eking out enough to support the clan, to trade some guinea fowl and kola nuts, to enjoy the gifts of the earth, to husband it. This patch of land on the lower Sahel was unforgiving but it was theirs.
And they stayed.
But, at length, there had to be some edge they could wield to surprise the raiders. Running away might ensure survival for many, but more was needed. They taught the youth about all the plants and their uses. Those they ate, those they treated with as part of aromatic bitters, those with properties that were prized, their nighttime potency recounted, astringency debated, and medicinal effectiveness evaluated. And once they proved adept and facile with the identification of the flora, they would learn about what in extremis could be used in the poisoned arrows that were always reluctantly fashioned. Weary, wary, reluctant but necessary.
And so they studied.
The elements of survival were well known. Swift recall, preparation, decisiveness under threat, knowledge of topology, and luck. For the gods were capricious. Even the fleetest of foot, the strongest, and the most agile could be brought low and fall prey to the human hyena that roamed the lands. And Babatu's men were implacable and determined trackers. Tears would be for nought when in their grip. Best to fight when caught, to resist with all one's heart. But, above all, to flee when attacked, to live to see another day, to rebuild and restore when these interlopers would leave, for they would surely leave as these lands only yielded bodies to them.
And they ran away.
Taboo. A famous dirge recounted how one of the twins was unable to stay silent, a hard demand of a toddler, let alone in the darkness of the cavern. Their position having been given away, tough decisions had to be made. Father and the one would give themselves up hours later, when it became clear that this set of raiders would wait them out, they were a patient lot. Mother and the other twin would retreat further into the second chamber, deep in the dank bowels of the earth and stay for three days. It was hard to breathe, it was hard to stay silent and still, and there was only one gourd of water and the few nuts hidden in the fold of her cloth. They clanged to each other, charged with the burden of loss, of memory, of survival. Pieces of themselves lost for good. But they lived to tell the tale, to recover possession of the land.
And they survived.
Strangers have come into our land
Raiders have come for our bodies
Take heed, my brother, and run, run away
Caution, my sister, and run, run away
For we will all, someday, be turned into sand
And all that will remain is our story
Running Away, a playlist
A soundtrack for this note. (spotify version)
- Running Away by Roy Ayers
- Running Away by Bob Marley
- Kunta Kinte Dub by The Revolutionaries
- Man in the Hills by Burning Spear
- Hiding by Breakestra
- Slavery Days by Burning Spear
- Kunta Kinte by Horace Andy
- Man in the Hills (live) by Burning Spear
- Hiding (Quantic mix) by Breakestra
- Kunta Kinte by Mad Professor
- Raids and Refuge - The Bulsa in Babatu's Slave Wars by Franz Kröger
- Slavery, Memory and Orality by Emmanuel Saboro
- Wounds of our Past by Emmanuel Saboro
A later discovery: Beyond Elmina: The Slave Trade in Northern Ghana by Joachim Jack Agamba mined similar terrain to great effect.
This note is part of the Things Fall Apart series. Do let me know what banner might be appropriate.
File under: slavery, Bulsa, Ghana, Africa, culture, memory, music, history, observation, perception, fear, dislocation, escape, griots, Things Fall Apart, poetry, toli
Writing log. July 24, 2022
