Showing posts with label escape. Show all posts
Showing posts with label escape. Show all posts

Tuesday, June 24, 2025

Near the Weeping Trees

Poetic license, a grove of weeping trees
Is said to mark the spot where Babatu's wife perished,
Abandoned by his retreating raiders

Vitellaria paradoxa, the botanists would precise
The creeping shea tree takes 15 years to start to bear fruit
The site of her execution, an arboreal memorial of resistance

The historians would argue about the accuracy of oral history
Questioning how these stories have come down through the ages
That the battle of Sandema most likely took place
Somewhat at a remove from where we now celebrate it
That the invention of tradition prevails

That, yes, Babatu was the prime slave raider in those times
But that the invocation of Samory was a touch of artistic license
Embellishment by the griots,
Born of his fearsome reputation
For the record shows he confined his empire's reach
To the west of the coast

Thus, while Samory's troops did overrun Bole,
They never made it to Sandema
No, Babutu was the prime mover
In what is now northern Ghana

The Zabarima depredations he led
The forced marches, the trail of dread
Spilling over from the East and North - Niger
Shackled, back to the market at Salaga

It follows; the dread that the Gonja faced
Was in the same vein as what the Bulsa bore
The specter of their adversaries
Commingled in the tales of the griots
For it was the same threat, the same suffering,
And the same wounds

And, yes, Bulsa children should run
At the mere mention of either foe
The griots had it right:
What is 200 miles in the grand scheme of things?

So, Salaga market
Or Kasana market near Tomu
Ominous since their founding
The former now a tourist site a century later
With a few exhibits

The footpaths trod by captives,
Marched from Bulsa and Kasena areas
And shackles, so many shackles, symbolic,
And other items that bear reflection
Earth shrines in modern times,
Northern doors of no return

...

We leave faint traces in our stories,
Signposts of intimate legacies
Fumes marking cautionary tales,
The touchpoints and the villains
And heroes too.

Years later, we gather and celebrate the victories
Feok they call the annual festival,
Harvests, and a "time of plenty"
Where warriors gather in performance
And recount the shared memories
And it all happens - historians may debate,
Not too far from the weeping trees


Builsa Feok Festival Sandema


Near the Weeping Trees, a playlist


I recall when the then 3 year old entered the daycare center singing Burning Spear's refrain: "Do you remember the days of slavery?". The looks from the front desk, of those proper, Southern Texas ladies... I decided to keep things light with my playlists going forward. Still, these are living histories, the legacies of men.

A soundtrack for this note (spotify version) Bonus beats: a few live and dub versions of these joints

See previously Running Away, my first piece on the tales of Northen Ghana and, just to confuse things, Samory's Old Camp

This note is part of the Things Fall Apart series under the banner of The Bulsa Way.

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Writing log: September 10, 2022

Tuesday, March 25, 2025

Running Away

The lyrics in the songs always mentioned running away. Flight, escape, danger in its many variations. Embedded in the outlook, punctuating the very choruses was a sense of precarity. And yet these were not dirges, these were not laments. They'd long made their peace with the world as they'd found it, nay, they were comfortable even if clear-eyed about this existence.

And they watched.

Running away, heading for the hills and the rocky terrain. Running away, heading for higher ground, for those parts that only those close to these lands would know. The caverns where they could hide, holding their breath, stifling all sounds, covering the mouths of the infants.

And they waited.

Holes in the ground, the entrances disguised, dark caverns where the ancestors were said to have sought shelter from previous predators. At most a dozen could fit in the largest ones so you had to be prepared to seek out other spots, ever calculating as you ran up over the rocks how many had already made it, and if you would be able to use this particular refuge.

Oftentimes it was a gamble.

To enter the hiding places, you crouched, crawled and wriggled. The earth would envelop you, surround you with its embrace. You could expect to taste the slightly acidic crumbs as you pushed your way in, to smell the faint trace of clay. The earth would resist the touch, implacable and stern, until it would yield all of a sudden, plunging you forward into the void of the cavern.

You hoped, you wished for a soft landing.

You had to be methodical even in the heat of the moment, deliberate even as the senses were heightened by the danger. First, to dislodge the covering by pulling at the right spot, the intricate branch structure that only careful hands could pry open, and then to preserve its camouflage so that it would appear undisturbed to the raiders in pursuit. The architecture of escape, the provisional sanctuary.

And they prayed.

No matter how many times they had practiced, no matter how many warnings, no matter how many songs they had sung, no matter how much advance notice they'd garnered, they knew that there would be something lost, that there would be someone lost. It was the nature of life in those times. Something, someone would be snatched from you. Pieces of yourself dispersed, shredded away, leaving only the memories.

And they wept.

Farmers and pastoralists, they never had a standing army. Millet and maize in small fields, custodians of the northern territories, eking out enough to support the clan, to trade some guinea fowl and kola nuts, to enjoy the gifts of the earth, to husband it. This patch of land on the lower Sahel was unforgiving but it was theirs.

And they stayed.

But, at length, there had to be some edge they could wield to surprise the raiders. Running away might ensure survival for many, but more was needed. They taught the youth about all the plants and their uses. Those they ate, those they treated with as part of aromatic bitters, those with properties that were prized, their nighttime potency recounted, astringency debated, and medicinal effectiveness evaluated. And once they proved adept and facile with the identification of the flora, they would learn about what in extremis could be used in the poisoned arrows that were always reluctantly fashioned. Weary, wary, reluctant but necessary.

And so they studied.

The elements of survival were well known. Swift recall, preparation, decisiveness under threat, knowledge of topology, and luck. For the gods were capricious. Even the fleetest of foot, the strongest, and the most agile could be brought low and fall prey to the human hyena that roamed the lands. And Babatu's men were implacable and determined trackers. Tears would be for nought when in their grip. Best to fight when caught, to resist with all one's heart. But, above all, to flee when attacked, to live to see another day, to rebuild and restore when these interlopers would leave, for they would surely leave as these lands only yielded bodies to them.

And they ran away.

Taboo. A famous dirge recounted how one of the twins was unable to stay silent, a hard demand of a toddler, let alone in the darkness of the cavern. Their position having been given away, tough decisions had to be made. Father and the one would give themselves up hours later, when it became clear that this set of raiders would wait them out, they were a patient lot. Mother and the other twin would retreat further into the second chamber, deep in the dank bowels of the earth and stay for three days. It was hard to breathe, it was hard to stay silent and still, and there was only one gourd of water and the few nuts hidden in the fold of her cloth. They clanged to each other, charged with the burden of loss, of memory, of survival. Pieces of themselves lost for good. But they lived to tell the tale, to recover possession of the land.

And they survived.

Strangers have come into our land
Raiders have come for our bodies
Take heed, my brother, and run, run away
Caution, my sister, and run, run away
For we will all, someday, be turned into sand
And all that will remain is our story


baobab by kagyah


Running Away, a playlist


A soundtrack for this note. (spotify version) Further reading:
A later discovery: Beyond Elmina: The Slave Trade in Northern Ghana by Joachim Jack Agamba mined similar terrain to great effect.

Next: Near the Weeping Trees

This note is part of the Things Fall Apart series. Do let me know what banner might be appropriate.

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Writing log. July 24, 2022

Sunday, April 29, 2007

A Taste of Africa

It is a truth universally acknowledged that the sight of a grandmother running a kitchen in a restaurant brings a sense of warmth to the stomach of any man. The anticipation is further heightened in the sub-species known as the seasoned bachelor. I have seen grown men regress to their misspent and gluttonous youth, instantly shedding the heady shackles of responsibility as fond memories visibly surface. A certain look comes over the face and, for an instant, monosyllabic grunts are all that one is capable of. A food coma in prospect, the salivary glands go into overdrive. You'll notice a lot of involuntary licking of lips. If you listen closely you'll hear them whisper the adjective 'mouth-watering' under their breath. If only one could bottle up that instant cheer. I should know. Even though matrimony has been treating me well, that was me this Saturday.

Food is like that. Homecooked food, made with expert care is like that. Comfort food is by definition richly valued and time-tested, and the visual cues, those Auntie or Grandma figures, are rightly emphasized in advertising. An authentic real-life grandmotherly intervention is to be prized above almost all else.

And there it is, front and center, as you enter: you see her. Smiling her warm welcoming smile, she's surrounded by the pots with perhaps a ladle in hand, stirring, prodding, orchestrating a small slice of culinary nirvana. She's in full control, cooking with glee. You'll hear her dispensing pearls of wisdom, advising the others on spices and such. Still it's her show.

She's a grandmother. It's her thing, she's in it for love. It's the usual story: her reputation for homecooking was outsized, it wasn't just the extended family, but also the friends, and their friends. They all knew. She liked to cook, that's all. First it was a little joint a few blocks away, not much more than a little trailer, yet it kept going for 8 years. Now there is more capital, so it's a full-blown restaurant. They've lost the training wheels as it were; the revamp and grand-opening was late last year. Moving on up like Curtis Mayfield sang.

It's one of those crossroad neighbourhoods. The signs of recent gentrification are mixed with the usual pre-gentrification remnants and indeed holdouts. Transition in short. The restaurant is near the Berkeley/Oakland line, thus it's close enough to the heart of the City of Liberals to be a favourite of the Peace Corps crowd - those wanting to reminisce about a time when life had meaning, while maintaining the close ties to the soulful parts of the Oakland brethren and sistren - you know, those who keep it real. And then of course, there's your tribe of patrons: Africans in America. Ah nostalgia.

It's a family affair. Her daughters and sons cook, serve and clean. On occasion the little grandchildren drop by. I think the word is cute. It's really like spending time in a family home, it doesn't feel like a Formal Restaurant™. You wouldn't come dressed in opera wear.

It's not a dive, but it's suitably intimate, seven or eight tables, perhaps seating 25 inside, and a dozen out on the patio when the weather is right as it often is on this side of the San Francisco Bay. You get the red, gold and green painted exteriors, you get some batik prints. Was there a mask or two? Above all you get food from the Grandmotherland. Glorious Cameroonian cuisine is what you get. Ambiance and comfort are the fringe benefits.

Ethnic food in the Bay Area is mostly Asian (Chinese, Korean, Indian, Indonesian) and obviously the ubiquitous Mexican. African food is represented by the numerous Ethiopian restaurants, their delicate civilization having a strong presence in these parts. Of course there's much more to African food and culture than Ethiopia and slowly that awareness is seeping into the public consciousness.

We live near the Gourmet Ghetto in Berkeley, home to Chez Panisse and 15 or so restaurants. World-renowned, haute cuisine, Californian New World fusion cuisine with complicated ingredients - typical descriptions read like a Restoration Hardware label. You know what I mean: the expensive wines, the high snob quotient, the feel-privileged factor. Your mileage may vary but colour me unimpressed. When I need soul as I often do, living as we do in the midst of God's own people, I like to head out to our people, my people. I try to support the burgeoning West African community. There's Ghanaian Tropical Paradise down the street and, ever since I discovered it in the new year, there's A Taste of Africa.

Thus you might find me there on certain lazy weekend afternoons, sporting my fresh haircut from the nearby barbershops (I have to cross over to the Oakland side of things to get the right hair treatment), sipping on a glass of their homemade ginger delight drink (the last time, I almost declaimed spontaneous poetry in appreciation), chatting with all and sundry, or perhaps quietly reading a novel as the whim might take me. I'll be there taking in the atmosphere, nodding to the music as the family get to work, conjuring up the meals. They chat amongst themselves with the back and forth and intimacy that comes from knowing. It's the easy familiarity of, well, a family.

This is not fast food, it's homemade and unhurried, prepared with care. The menu is only a guideline, a starting point for a conversation. Ask for whatever is good that day. The menu alternates and Ma will cook whatever is her fancy.

"What do you have today?" "Well... I think... today... well... you see... you might like...."
And so forth. The pauses and rhythms are eternal. The sense of time is African. You'll wait a while as the food is prepared. The sweet smell of the fried plantains, the sule as the Cameroonians call it, will gently waft in from the nearby kitchen tickling your sensibility. It's ten feet away; if you could you'd take a few leaps and pick up a few slices, hot off the fryer. But, well, you control yourself. As they say, good things come to those who wait.

By the time the food arrives, you're ready. You dig in. What else is there to say? It's the main course, the main event, the main everything. I shall skip the ludicrous amount of pleasure you derive but I suppose I should describe the food somewhat.

Let's start with the ndole. A sauce of peanuts, spinach, garlic, ginger and something special. Throw it on everything, you can't go wrong. I exchanged a look of delight with a grandchild, perhaps 4 years old, she knew the score about the ndole she was similarly wolfing down.

The jollof rice is different from my customary Ghanaian fare, they don't seem to use long-grain rice, it's not the usual Basmati business, and the tomato treatment makes for a less intense taste. I like it though. Topped with Ndole, the fat lady sang. For the uninitiated, jollof is... well you can google it. Suffice to say that that it's my kind of thing. The sule, as I've suggested is great - again with a twist, I couldn't detect the ginger that would be in Ghanaian kelewele.

The suya, well, that's something else altogether. The spice on the kebab is phenomenal. Cameroon's proximity to Nigeria comes in handy in this respect, the Nigerians have the greatest tradition of khebab. Suya. Suya. Suya! A chorus of approval.

Try the pepper soup, typically with lamb or goat meat - or vegetarian if you must. Of course, this is West African food, so there's the obligatory fufu to accompany it (pounded yams in this case). There's more of course: moi moi or acara (various takes on black eyed peas), ewole which is the essence of Cameroon, egusi, okra and more. I'll let you discover for yourself.

I was struck that everything was light; she cooks with a delicate touch. Some African restaurants go all out with heavy fare that the part of the clientele that are cab drivers appreciate. You will eat a lot here and you won't regret it. You are reminded that the beautiful people live in California. There's sensitivity to the market. Astute, I must say.

Midway through your sustained attack on the delights at hand, she might take a walk around the place surveying the fruits of her labour. She doesn't need to ask; it's a done deal. But she does anyway. And yeah, she knows all right. She's seen it before: your appreciation is plainly evident from the precursors of sweat on your face, even before you launch into the obligatory mumbled 'it's ummm sooo ummm goo umm oood". She smiles. You smile. 6,000 miles away from the continent, diaspora, exile life is forgotten. For an hour of so, you're transported back home. You've gotten your taste of Africa. You're in the realm of the sated.

A Taste of Africa is in Berkeley, California.

Tell Ma I sent you. It's the least I could do.

Soundtrack for this love letter


Al B. Sure! - Just A Taste Of Lovin'

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