Drama, a Playlist

The type of song that hits the sweet spot of drama and dysfunction. The subject matter may be petty and sometimes trifling, but the lyrics are sung with verve and, tellingly, the song always strikes a nerve. You can't look most of these singers in the eye such are the stories they tell.

I give you Drama, a playlist (YouTube / Spotify version)

• I Feel Like Breaking up Somebody's Home by Ann Peebles
  
  I'm genuinely scared of Ann Peebles, she really is to be feared. Her mixture of ferocity and vulnerability will disarm the most hardened of hearts. And Memphis soul never hurt so bad (that voice, Willie Mitchell's production! Those horns!)
   
   
• If That's Your Boyfriend (He Wasn't Last Night) by Meshell NdegeOcello
  
  Talk about petty. She'll take what she feels is hers and taunt you in the morning. Sexy and attention grabbing, she doesn't care. "Call me what you like", she sings. It may hurt, but those are the breaks; you learn as much on the playground.
   
• Who is he (and what is he to you)? by Bill Withers
  
  Well, is the jealousy justified? Was the look innocent? "When you cleared your throat, was that your cue?" Soul's premier storyteller paints a picture of suspicion with restraint and economy.
   
• The Rain by Oran "Juice" Jones
  
  Cinematic storytelling, he gets down to the sweet business of betrayal. The legendary breakdown is most quoted part of the song but the silky soul setup and refrain make it worth the payoff. "I saw you (and him) / walking in rain / you were holding hands and I'll / never be the same"
   
• Me and Mrs Jones by Billy Paul
  
  The apotheosis of Philly soul is this classic tale of adultery. The poet laureate of human weakness is not ashamed about the "thing" they've got going on. This is grown folks business, matters of the heart must be attended to.
   
• Don't Explain by Billie Holiday
  
  Lady Day shushes the scoundrel she's in love with. "Skip that lipstick, don't explain". The terseness of wounded feeling. Note the slight pause before she sings "right or wrong don't matter". The effort hurts. Talk about battered women syndrome.
   
• If loving you is wrong I don't want to be right by Millie Jackson
  
  I prefer Millie's version of Luther Ingram's opus of longing. The Caught up album is choc full of drama, and with the reversal of perspective, she found the formula that made her reputation: the conflicted soul.
   
• The Rap by Millie Jackson
  
  But then, unrepentant, she added The Rap, a monologue where she revels in being the other woman, outlining the subversive pleasures in wearing the scarlet letter. And society's disapproval can hardly hold a candle to the excitement of the affair.
   
• Yu-ma / Go away little boy by Marlena Shaw
  
  Relationships aren't easy by any measure. When your man quits his job, you can certainly understand why a diva like Gwen Guthrie would sing "Ain't nothing going on but the rent". Here, on the other hand, Marlena Shaw holds court, "Go away little boy", she sings. And how she sings. But, one wonders, does she really mean it?
   
• Creepin' by Stevie Wonder
  
  The departure here is not of betrayal but of sweet obsession. By inclination, our greatest songwriter was more uplifting and personal in his writing. He simply can't get her out of his mind. And the chorus does the same duty as an earworm.
   
• Woman to Woman by Shirley Brown
  
  Dysfunction laid bare, the phone call with the other woman. The song that spawned dozens of answer records. The back and forth with Barbara Mason and others made this the definitive talking piece. The rarefied heights of drama.
   
• Hope she cheats on you (with a basketball player) by Marsha Ambrosius
  
  Bitter, petty, and endowed with a highly specific vindictiveness. Cross her at your peril. If this is what the reaction is like when she's "just a little bitter", god help you. A woman scorned, she sets a new standard for righteous fury.
   

• Down here in hell (with you) by Van Hunt
  
  Genius songwriting. I mean "What would I do if we were perfect? / Where would I go for disappointment?" is hard to top. Messy and complicated. A strange relationship for the ages
   
• Creepin' by Luther Vandross
  
  By this stage, Luther was showing off. First doing the definitive cover of Brenda Russell's If only for one night then outdoing Stevie Wonder, no less, on the very next song. And check out the call and response with Darlene Love on background vocals. Creepin'
   
• Next lifetime by Erykah Badu
  
  The heart desires, but practicalities arise. Timing is everything. Dilemmas of the "awkward situation". In life as in her art, Erykah Badu's entanglements are legendary. Call her the Elizabeth Taylor of the hip hop world, the best rappers were all moths to her flame.
   
• She's got papers on me by Richard "Dimples" Fields
  
  The classic tall tale of the conflicted cad. Dimples's soft voice is perfectly pitched, the voice of a the set-upon. Then Betty Wright walks in on him hearing him pine for someone else and lays down the law. Yes, she's got papers on him. And rightly so!
   
• I Hate U by Prince
  
  Prince goes all-in and even takes it to the courtroom, a funny prosecution of heartfelt jealousy. The breakdown is worth the wait. There's a remix with Eric Leed's flute that leavens the bitterness of the original somewhat. Also: that guitar solo at the end...
   
• You know I'm no good by Amy Winehouse
  
  Confessing upfront her fickleness, she's the very definition of trouble. Guilty as charged, yet you still can't resist the pleasures and turmoil she promises. She's a diva. Well, what did you expect?
   
• Tyrone by Erykah Badu
  
  The reaction of the crowd the first time they heard this song live overwhelms. This was manna for the Essence crowd. Erykah took it to the streets. She's done with you. Surely you know who to call
   
• The girl is mine by Michael Jackson
  
  "Michael, we're not going to fight"
  "Paul, I think I told you, I'm a lover not a fighter."
  
  Even if you thought that the song was syrupy or that MJ had lost his mind, you couldn't help imagining the spectacle
   
• Busted by The Isley Brothers
  
  You really can't avoid R Kelly when it comes to musical drama and this production of Ronald Isley is the prototype for the later Trapped in the closet series. Aimed straight at the chitlin circuit.
   
• I don't want to do wrong by Gladys Knight & the Pips
  
  Decisions decisions. The secret sauce lies in the call and response. The tension in the blues, the interplay with the Pips. "I just can't help myself"
   
• You could have had me, Baby by Esther Phillips
  
  From an album titled Black-Eyed Blues which announces just how problematic things will be. Like Etta James, her subject matter is trouble, love and loathing. The album closes with Tangle in your Lifeline which says it all as far as dysfunction goes.
   
• I am your woman. She is your wife by Barbara Mason
  
  Why do people do this to themselves? Infidelity is an inherently unstable affair (pun intended) but Barbara fully embraces it. "You want your cake and eat it too". Consider also "From his woman to you", her answer record to Shirley Brown's Woman to woman.
   

• Jolene by Dolly Parton
  
  Taking matters into her own hands, begging Jolene to "please don't take my man / even if you can". That she manages to sell the idea that she, Dolly Parton, would play second fiddle to anyone is testament to her ear for drama
   
• After the pain by Betty Wright
  
  She still loves him despite everything. The soundtrack of rationalization. She actually sings "Don't blame Mr. Charlie, Mr. Charlie is just a man. And he's doing the best he can". I mean, we need an intervention here, come on.
   
• If loving you is wrong I don't want to do right by Luther Ingram
  
  1972 was a good year for adultery. Sounding the same theme as Me and Mrs Jones, Luther is not willing to compromise for anything, for she means that much to him. All obligations, vows and responsibilities be damned.
   
• You can have him by Nancy Wilson
  
  Some say Nina Simone, but I go with Nancy Wilson's interpretation of Irving Berlin's song. The delusion is strong with this one. Regret is all, I don't even believe the words for one second. She's stuck on him
   
• The other woman by Nina Simone
  
  Minimalist storytelling, four verses that trace the now familiar arc of disappointment. The bridge?

  And when her old man comes to call
  He'll find her waiting like a lonesome queen
  'Cause when she's by his side
  It's such a change from old routine

• Clean Up Woman by Betty Wright
  
  Featuring the immortal break beat, her's is the cautionary tale of "making it easy for the clean up woman". It's an odd perspective really and quite reactionary too: regret and the blame game for dumping the man.
   
• In My Bed by Dru Hill
  
  Goldilocks and the Three Bears revisited, Sisqó and company made the most of the ubiquity of this club classic. Even today, dance floors fill up immediately at the bass line. "Somebody's sleeping in my bed". Let the bump and grind begin. Drama
   
• Shaniqua by Oran Juice Jones
  
  She turned him out. The player persona couldn't stand contact with this fly girl. Shaniqua got him whooped, turned him into a square and put his pimp days behind him, By the end, The Juice even admits he's "straighter than six o'clock". Big Daddy Kane sympathizes with him.
  
  I just discovered that he actually shot a video back in 1990, albeit it's the edited version of the song, without Kane's rap (Kane does make an appearance in the video). Still, who knew?
   
• The Boy is Mine by Monica and Brandy
  
  The ménage-a-trois here is trifling, the stakes are not so high. One wonders if the titular boy is even worth fighting over. The vocal performances are the real battle in this case. Fighting words, perhaps, but I prefer Monica, she has a little spite in her approach. Brandy is all sugar.
   
• Sh*t Damn, Motherf*cker by D'Angelo
  
  It starts with "Why are you sleepin' with my woman?" and devolves from there. Caught, busted. The sound of jealous rage is the old favorite trope of the blues, revived here for the hip-hop age. The last line is genius
   
• Saved by the Bell by Roy C
  
  A very knowing comic masterpiece, a tall tale about the goings on in Infidelity, Georgia. The Wife would complain when I used to play this song in front of the kids. I demurred, the humour is universal even if racy. Effortless storytelling.
   
• Just be good to me by The S.O.S. Band
  
  The things we do for love, the things we'll put up with. I'll end with this vintage Jam and Lewis soul concoction. Problematic lyrics. Drama:

  People always talking 'bout reputation
  I don't care about your other girls
  Just be good to me

  And so forth.
   

Drama, a playlist (YouTube / Spotify version)


See previously: Love, a playlist

File under: music, storytelling, appreciation, culture, observation, perception, humour, relationships, life, humour, obsession, whimsy, Comfort Suite, toli

Writing log: March 28, 2024